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P&J Records (LLC) proudly announces the release of Donna Sammarco’s second CD – “Here I Am, Lord.
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Click the titles below to play sample tracks of “Here I Am, Lord”

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December 05. 2008 2:13PM MUSICIAN SPOTLIGHT: Paul and Friends
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Big Fun on the Bayou correspondent Michael F. Vinning recently chit-chatted with Paul of Paul and Friends to discuss how the group originated.

Vinning: Hey Paul, how about explaining the concept of the Paul and Friends band.

Paul: Paul and Friends was something I actually conceived years ago when I was living in Jamaica, Wis., and was isolated from my music in the U.S. I thought about all of the fantastic musicians I had played with over the years prior to that time and began fantasizing about a band made up of the best musicians I’d ever had the good fortune to play with. After that, however, I gave up performing for quite some time while I chased a higher degree; so that dream went to sleep for many years. It resurfaced during the latter years of my stay in Australia.

The concept is not new. The model comes from Donald Fagen of Steely Dan, and Brian Wilson of the Beach Boys, who followed it for years. These guys basically stayed at home, composed and wrote the arrangements for the tunes. During that time, in the case of Steely Dan, the individual band members played and toured either solo or in other well-known groups. When it was time to record, they’d find their way home, rehearse, record and off they’d go again. In the case of Brian Wilson, Brian would compose and arrange for, say, six months, laying down the templates for the vocal tracks while the rest of the guys were touring. They’d then come back and record over the remaining six months.

Basically, I try to put the tunes together and then match the musicians to the tunes that suit them best. This can be quite a challenge, since more often than not, many of the musos (an Australian term) are tied up doing other gigs, or touring, or have simply disappeared into the mist without leaving their calling card. When I do find them, I write up the charts for them, record demos and distribute them. Then we rehearse and head into the studio. The instrumentals generally go fairly quickly. The vocals are very demanding and usually take quite a while.

This is my passion.

Vinning: Who makes up the Paul and Friends band and what are their roles?

Paul: The answer to that question is bigger than you might think. Because of the nature of the band, there are many members – many. And each of them possesses great talent in one or more areas. I will start with the players on our last CD, “Smooth Sailing.”

The musicians (in alphabetical order):

  • Todd Adams from Houma, keyboards; known for his work at Aficianados.Todd did some beautiful keyboard work on several tunes. He has a flare for delivering soft chordal textures and subtle yet complex changes.
  • Des Anthony from Australia, vocals, acoustic guitar; from Three’s Company.Des and I played together for a number of years in Townsville, Queensland, Australia. He is a great singer, guitarist and mandolinist — and he also is a luthier. That is, he builds his own instruments — and generally played them on stage with us.
  • Kurt Brunus of New Orleans, keyboards; from The Kurt Brunus Project.Kurt is a jazz trumpet player and keyboardist who performs a lot around New Orleans. He did some very nice keyboard work on “Amazing Grace” on this last CD.
  • Tracy Griffin from New Orleans, flugelhorn; from Allen Toussaint and Friends.Tracy is a wonderfully talented flugelhorn and trumpet player who has been playing throughout Louisiana and Texas for many years. His solo on Brunch in the Big Easy is one of my favorites. Very laid back, yet very precise.
  • Carol Hart from Australia, vocals; from Hart-to-Hart.Carol has a beautiful sandy voice. I have been listening to her for many years. And it blends and integrates so well with her husband Martin’s voice on “In My Life.” It’s as if they’re one person. You have to hear it to believe it.
  • Martin Hart of Australia, lead singer, acoustic guitar; from Hart-to-Hart and Three’s Company.Martin – when the Lord made Martin’s voice he threw away the mold. He has the voice of an angel – always has. I played with him and Des for many years in Australia. Thank goodness he’s willing to lend his talents to these recordings. He sings lead on “In My Life”, “Just One More Time” and “Thanks for Being There”. He also joins Des and me on “Helplessly Hoping”.
  • Roger Kimball of Thibodaux, soprano sax, tenor sax; from Harry Connick Jr.’s Band, Soul Survivors and NiteLife.Rog. Man, can that cat play horn. He plays soprano and alto sax. Reads like there’s no tomorrow. Very tasteful. He did a lot of the sax playing on “Smooth Sailing”. You listen to him and you think “Kenny G – it’s time for you to retire.”
  • Mark Liuzza of New Orleans, keyboards, Hammond B-3 organ; from Benny Grunch.Mark is a great keyboardist. He can read and play the toughest of lines, and yet lay back and play the smoothest chordal pads and hits, not to mention his ability to improvise. He’s now based in New Orleans and is pretty tough to nail down time-wise. He manages several venues and bands in New Orleans and plays in a number of bands. Great musician. Mark played on “Have You Ever Seen…?”.
  • Larry Martin of Thibodaux, keyboards; from NiteLife.Larry has been playing the Thibodaux area forever. He’s even been inducted into the Thibodaux Musician’s Hall of Fame – and that town boasts a lot of great musicians. He does it all – rock, jazz, whatever. It’s effortless with him. The music just flows out of him. Larry played on “Thanks for Being There”.
  • Ben Melancon of Thibodaux, vocals, percussion; from Unmerited Favor.Ben. I am so proud of Ben. He is my step-son. He’s been playing drums for quite a while now. It is one of his great loves (along with sports). In particular, he loves to play the subtle bits. The only thing he does better than play drums, though, is sing. His tenor voice is amazing, and in our most recent mini-concert, his voice shone like the brightest star. Wow! A true pleasure to listen to.
  • Lindsay Melancon of Thibodaux, lead singer, background vocals, oboe.Lindsay too is amazing, and I am very proud of her. She is my step-daughter. I have a saying about her for the longest time: “Everything she touches turns to gold.” It doesn’t matter whether it’s school, or music, or dance, or a mission trip to South Africa, it all turns out like a perfectly baked cake. I think there is a full-time guardian angel who hangs over her head all the time. On this CD, she sings lead, background vocals and plays oboe. What she doesn’t do on this album is draw from her other talents – piano (classically trained), dance and choreography. For larger shows, she will be our stage director.
  • Brian O’Neill of New Orleans, trombone; from Bonerama.If you asked me several years ago whether I thought I’d be arranging for brass and woodwinds, particularly trombone, I would have just laughed. But – there you are. Brian played trombone on “Brunch in the Big Easy” for us, and really delivered on it. Trombone players who have heard this work just shake their heads. It’s great. Fun guy, too. Unfortunately, Brian passed away after Hurricane Katrina blew through and before the CD was released. New Orleans lost of a great player.
  • Clyde Pellegrin of Houma, keyboards; from Nitelife.Clyde is easy-going and a great rhythm keyboard player. If you’re tapping your foot and swaying your head during “What’s the Matter with That?”, he’s the reason why, with those rhythm-eights. It’s in his blood. He just feels the music.
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    Although On Eagles Wings was released in 2004 the music remains bright and relevant at any time, simply because what the intent and meaning was behind producing it the first place. This kind of Christian new age instrumental sound is for ears that want some relief of daily demands.

    Donna Sammarco goes solo with her piano covering timeless spirituals flying on the wings of time and space (and eagles) through the ivory keys.

    This was a nice experience for me. Music such as this engages you and allows a meditative state to take hold. This is not a normal state of mind for any sentient being, particular in this world we live in now, with all the constant activity around us. It takes something powerful and aurally seductive to make us stop and listen so we turn inward and recharge our link to a higher power. I should do this on a daily basis but I do not, music like this reminds me what a strong connection I have to the spiritual world and how easy it is to tap into that source if I choose. Quite simply that is it in a nutshell; it is all about making the right choices on daily basis.

    Every track is crystal clear with its message and certainly because of its foundation within each composition, words are not needed. As I said, this is not something I put on the stereo every day but I am comforted to know there is something I can reach for when I want to center my energy and feel good about being alive.

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    Artist: Paul and Friends
    Title: Smooth Sailing
    Genre: Jazz-Pop-Rock
    Label: P & J Records

    After hearing Smooth Sailing for the first time, my first impression was that it might be a little too contemporary and syrupy for these ears. I do listen to a wide variety of music but I always find myself reaching for my 70’s classic rock when I really want to unwind. Never being one to dismiss a recording after merely one listen, unless its completely horrible for the first 3 or 4 tracks, I endeavored to open my mind and ears once again to really ‘hear’ the music.

    Well for starters, they really hit the proverbial nail on the head for the title. This CD is without a doubt Smooth Sailing all the way through. I have to emphasize the word smooth, as in smooth jazz and rock. Paul & Friends is Paul W. Sammarco (alias Paul Summers, his stage name in Australia). He is the leader of the pack, and I do not refer to pack lightly (see credits). One of the more difficult things to do is to put together an album with so many people involved. Consequently, it comes as no surprise it took over 4 years to complete this ambitious and eclectic project.

    “What’s The Matter With That?” is the most catchy and memorable tune on the album and sounds radio ready. On the other side of the coin they do an about face and do an old standard like “Amazing Grace” with aplomb. The track is not the easiest to make sound new again because its one of the pillars of the American songbook and very old. On top of that, to come up with some fresh insight and make it happen, well I thought the band did a nice job with that from top to bottom. The lead and background vocals of Lindsay Melancon, who also plays oboe on the track, did not bore me in the least and that was my fear when I saw the track listed. The message is the same only the delivery method is different. The Beatles “In My Life” is done very well. I am always a little skeptical of Beatles covers and very judgmental. I have to say that the more I hear their special version of “In My Life,” the more it grows on me. For this staunch Beatles lover that is saying a mouthful so kudos for a job well done to Martin and Carol Hart handling the vocals and to the band for their fine musicianship!

    Those were the highlights for me and actually, I found plenty of value and enjoyment in every track. I especially enjoyed the smooth jazz aspects and the careful mixture of pop and rock, which was interspersed amongst the jazz rudiments as well. This is a very good album so if you are looking to kick back and go for a sail along your fantasy shoreline throw on this CD and let it happen.

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    Keith “MuzikMan” Hannaleck-March 19, 2007

    Tracks:
    01. Smooth Sailing (0:59)
    02. Just One More Time (3:34)
    03. What’s the Matter with That? (3:57)
    04. Helplessly Hoping (2:56)
    05. Drift Away (3:51)
    06. In My Life (3:33)
    07. Willie (2:33)
    08. Amazing Grace (3:56)
    09. Have You Ever Seen…? (4:50)
    10. Brunch in the Big Easy (4:49)
    11. Thanks for Being There (4:16)

    Credits:

    Todd Adams (keyboards)
    Des Anthony (acoustic guitar, vocals; from “Three’s Company”)
    Kurt Brunus (keyboards; from “The Kurt Brunus Project”)
    Tracy Griffin (flugelhorn; from “Allen Toussaint and Friends”)
    Carol Hart (vocals)
    Martin Hart (vocals, acoustic guitar; from “Three’s Company”)
    Roger Kimball (soprano sax, tenor sax; from “Harry Connick, Jr.”, “Soul Survivors”, “NiteLife”)
    Mark Liuzza (keyboards, Hammond B-3 organ; from “Benny Grunch”)
    Larry Martin (keyboards; from “NiteLife”)
    Ben Melancon (vocals, percussion; from “Unmerited Favor”)
    Lindsay Melancon (vocals, oboe)
    Brian O’Neill (trombone; from “Bonerama”)
    Clyde Pellegrin (keyboards)
    Curtis Pierre (Brazilian percussion; from “Casa Samba”)
    Joe Raines (vocals; from “Full FX”)
    Hank Randle (percussion; from “Soul Survivors”)
    Donna Sammarco (piano; from Dept. Fine Arts, Nicholls State University)
    Paul W. Sammarco (bass, acoustic guitar, keyboards, vocals; from “Three’s Company”, “Little Ripper Band”, etc.)
    Jerome Theriot (alto sax, keyboards; from the US Army Band – New Orleans, “Soul Survivors”)
    Steve Theriot (percussion; “The Kevin Koike Blues Band”)
    Mark Trennecosta (electric guitar; from “Benny Grunch”)
    and June Yamagishi (acoustic guitar; from “Papa Grows Funk”)

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    After hearing Smooth Sailing for the first time, my first impression was that it might be a little too contemporary and syrupy for these ears. I do listen to a wide variety of music, but I always find myself reaching for my ‘70s classic rock when I really want to unwind. Never being one to dismiss a recording after merely one listen, unless its completely horrible for the first 3 or 4 tracks, I endeavored to open my mind and ears once again to really ‘hear’ the music.

    Well for starters, they really hit the proverbial nail on the head for the title. This CD is without a doubt Smooth Sailing all the way through. I have to emphasize the word smooth, as in smooth jazz and rock. Paul & Friends is Paul W. Sammarco (alias Paul Summers, his stage name in Australia). He is the leader of the pack, and I do not refer to pack lightly (see credits). One of the more difficult things to do is to put together an album with so many people involved. Consequently, it comes as no surprise it took over four years to complete this ambitious and eclectic project.

    “What’s The Matter With That?” is the most catchy and memorable tune on the album and sounds radio ready. On the other side of the coin, they do an about face and do an old standard like “Amazing Grace” with aplomb. The track is not the easiest to make sound new again because its one of the pillars of the American songbook and very old. On top of that, to come up with some fresh insight and make it happen, well I thought the band did a nice job with that from top to bottom. The lead and background vocals of Lindsay Melancon, who also plays oboe on the track, did not bore me in the least and that was my fear when I saw the track listed. The message is the same only the delivery method is different.

    The Beatles’ “In My Life” is done very well. I am always a little skeptical of Beatles covers and very judgmental. I have to say that the more I hear their special version of “In My Life,” the more it grows on me. For this staunch Beatles lover, that is saying a mouthful, so kudos for a job well done to Martin and Carol Hart handling the vocals and to the band for their fine musicianship!

    Those were the highlights for me and actually, I found plenty of value and enjoyment in every track. I especially enjoyed the smooth jazz aspects and the careful mixture of pop and rock, which was interspersed amongst the jazz rudiments, as well. This is a very good album so if you are looking to kick back and go for a sail along your fantasy shoreline throw on this CD and let it happen.

    Smooth Sailing
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    Artist: Paul and Friends
    Title: Smooth Sailing
    Genre: Jazz-Pop-Rock
    Label: P & J Records